An emblematic figure of the seventeenth-century Monza, Sister Virginia Maria de Leyva – the Manzonian Gertrude – vividly embodies in the tormented events of her existence a feminine universe linked to the phenomenon of forced marriages.
Opposed and fought by the ecclesiastical institutions, but pursued with tenacity by the noble families, concerned to safeguard the integrity of the heritage, these monachy constitute a widespread phenomenon and also investigated by historical research, topos iterated in the literature up to our days, several times proposed in a scandalous key with mediocre artistic effects and little relevance to the complexity of the phenomenon.