History of the library

Alongside local production, the library has been enriched over the centuries with specimens from the Lombardy area as well as from more distant regions, including the Alcuin Bible, made in the Carolingian era by the French monastic scribe of Tours.

Also from the same period is the very rich donation of Berengario, made famous by the magnificent Eburne diptychs that “bind” the codes, and which today we can admire in the museum, as well as for the absolute value of the volumes they adorned.

In the wake of the Imperial donation, others followed and, more consistently at the beginning of the year 1000, significantly enriched the library.

About sixty new volumes are added only during the course of the twelfth century: they are generally texts of a biblical and liturgical character, donated mainly by canons.

In the centuries immediately following, the heritage of the Library has a partial halt and the small number of manuscripts of non-ecclesiastical nature is the reflection of a cultural environment less vital than before; However, a small repertoire of legal texts surrounding the important collection of the ninth century is interesting as it testifies to the flourishing of the schools of canon law.

During the fifteenth century, the Library is subject to a reorganization, which sees restoration and conservation initiatives of the previous materials present, with the binding of numerous codes. The life of the Library seems to continue quietly until 1797, when the Napoleonic authorities confiscated the entire Library and the Treasury of the Cathedral.

The library materials then become part of the library of Napoleon, which imposes the binding with imperial coat of arms of multiple codes, thus making it de facto, if not impossible, very difficult to reconstruct their history.

With the Treaty of Vienna in 1817, 115 manuscripts were finally returned to Monza, but only one third of the incunabula confiscated by the French. As far as the composition of the materials in the Library is concerned, the liturgical codes represent a substantial part and constitute the richest group of medieval codes.

From the Museum’s Bookshop
PERCORSI
Museo e Tesoro del Duomo di Monza
Elisa Pontiggia, con contributi di Lisa L.A. Colombo e Francesca Frigerio
Ed. Fondazione Gaiani (giugno 2024)
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One of the most beautiful museums on the planet

One of the most beautiful museums on the planet: seen three times in three different periods of my life, it contains a UNIQUE collection of authentic Lombard wonders (the famous iron crown is only one!). Extraordinary.

Vittorio Maria Savoldelli

A dive into the history of Lombardy’s Middle Ages

Excellent museum, very interesting.
You can see the iron crown only accompanied, the guide is competent and friendly. A dive into the history of the Lombard Middle Ages.

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It hides real treasures related to the history of Italy

The museum is really well maintained and hides real treasures related to the history of Italy.
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A beautiful story of Monza

Pleasant museum. In modern hypogei spaces unfolds a beautiful story of the history of Monza through the place prince of its history: the Cathedral. One tip: the visit to the Iron Crown is guided. Check the times and book.

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The chapel is a masterpiece of international Gothic

A wonderful and unique collection of Lombard and late Antiquity art. The chapel is a masterpiece of international Gothic. You can visit only the museum and/or guided view on a chapel reservation and iron crown. Do both!

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